CODE 2011 NAGOYA

CODE NAGOYA 2010
CODE 2010
POSTER DESIGN COMPETITION

Aichi Shukutoku University
Team:
Yuji Shimizu Laboratory
Representative:
Yuji Shimizu
Members:
Asuka Ota, Yoshinori Kubo, Shoma Suzuki, Yuki Takechi,Miho Tsumura, Moeno Tsuge, Takahiro Hashimoto, Kaede Funatsu, Miho Hasebe, Keisuke Mori, Minami Watanabe
Supporters:
Nagoya Buddhist altar equipment research society, Katsuhito Hayashi and Kenji Sakurai from Studio Baku Inc. (photo), Takashi Honda (design advice)
「HOZO」IREKO.KUSHI.KŌSHI

「HOZO」IREKO.KUSHI.KŌSHI

「HOZO」IREKO.KUSHI.KŌSHI
Materials
nara, beech
Place of production
City of Nagoya
Sizes (W x H x D) mm, package size
IREKO: 105 × 105 × 14
KUSHI: 120 × 120 × 5
KŌSHI: 100 × 120 × 10
Prospective prices
IREKO: 2,000 yen
KUSHI: 1,500 yen
KŌSHI: 2,500 yen
Characteristics
We created a souvenir utilizing the kumiki-hozogumi technique characterized by Nagoya-butsudan craftwork. Packaged as square plates, it is compact and portable. Affixed with a stamp, it can be sent through the mail. We hope that people both at home and abroad are happy with our souvenir, which conveys the solid technique of traditional Nagoya-butsudan craftwork.

*As of the end of 1994, there were approximately 96,000,000 Buddhists in Japan, and virtually every home had its own butsudan.

*kumiki-hozogumi technique
This building technique, utilizing no nails, is designed so that a butsudan can be disassembled down to its elements and reassembled.
Contact
Aichi Shukutoku University
http://www.aasa.ac.jp/english/
Concept

— A souvenir created using the techniques for making Nagoya butsudan and butsugu (Buddhist household altars and ritual articles, respectively), expressing the warmth of wood.
Even though Nagoya leads the nation both in the number of Nagoya butsudan craftspeople and in butsugu production, most Nagoyans are unaware of this distinction. Today, because younger households are unlikely to have a butsudan, many younger people have no contact with butsudan as a part of everyday life, and the high price means that they cannot easily purchase one. Our aim was to produce a souvenir for everyday use, utilizing the kumiki-hozogumi technique*, the principal characteristic of Nagoya-butsudan craftwork, with the support of the Society for the Study of Nagoya-Butsugu. Our ready-to-assemble souvenir is compact and portable, so just by affixing a stamp, one can mail it with some memories of a trip to Nagoya. We thought that in creating the structure, not only will the recipient enjoy practicing the kumiki-hozogumi technique, but that this souvenir would give people around Japan the opportunity to experience the amazing technique craftspeople utilize in making both altars and ritual articles, and become aware of traditional Nagoya-butsudan craftwork.

General Comments

Aichi Shukutoku University: Yuji Shimizu

At Yuji Shimizu’s research laboratory in Aichi Shukutoku University, students came up with a Nagoya souvenir in collaboration with craftspeople in Nagoya who create butsudan and butsugu (Buddhist household altars and ritual articles, respectively). First, we’d like to thank the members of the Society for the Study of Nagoya-Butsugu who provided both experience and support. The students, motivated by the enthusiasm of the craftspeople, came up with a variety of ideas, and the craftspeople, responding to their zeal, helped give shape to those ideas. I’m sure this souvenir will give people throughout Japan the opportunity to learn about the highly sophisticated skills practiced by the craftspeople who create Nagoya-butsudan and butsugu. It was also very meaningful to have the souvenirs exhibited in both the participant cities: Nagoya and Kobe, and to give the students an opportunity to present in both cities, helping them directly experience the environment and atmosphere of each.
Our students were very much inspired by both high praise and direct criticism from the Kobe commentators. Responding to this opportunity, we’d like to continue to participate in activities like this that help connect our cities, and improve design practice for all.